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Superman's Wife
by Don Drewniak

By the time I was closing in on fifteen and in high school, my interests bore little resemblance to those of my pre-teenage years. With there usually being something to do on a Saturday evening, watching The Adventures of Superman on television had become a rarity.

I was stuck at home on a late March or early April Saturday night, the result of a knee injury caused by slamming into a wall at the Fall River YMCA while playing in a pickup basketball game.

The fifth from the final episode of the series, Superman’s Wife, popped up on our 19 inch Zenith television. A female police detective, Sergeant O’Hara, was asked to pose as the wife of Superman in order to capture a gang of bank robbers led by Mr. X about whom the police were clueless. Being clueless was the norm for Inspector Henderson and his Metropolis Police Department.

Lois Lane was given a scoop by Superman about the “marriage” in order to flush out the robbers. To do so, he reveals the address of the love nest. (Okay, he didn’t refer to the new apartment as a love nest.) A distraught Lane, who had long dreamed of marrying the Man of Steel, landed a front page splash on the Daily Planet. And, of course, Lane revealed the address. The result? O’Hara is immediately kidnapped by two of Mr. X’s henchmen.

X calls Clark Kent, who was believed by everyone in our galaxy to be the conduit to Superman, to inform him that he was holding Superman’s wife hostage. “Unless he stops interfering with our activities, he’ll never see his wife again.”

Kent/Superman smiled thinking Mr. X had fallen into his trap. However, X trumped him by anonymously calling Perry White, the editor of the Daily Planet, to tell him that there was a story to be had involving a bathysphere at a Metropolis pier. White rounded up Lane and Olsen and off they went. As was to be expected, all three entered the bathysphere, and found themselves trapped when the door was electronically slammed shut by remote control.

Another call to Kent resulted in Superman flying faster than a speeding bullet to the bathysphere. He entered it (of course) and was trapped (of course) as the bathysphere dropped into the deep (of course). There appeared to be no way out (of course) without causing the three less than brilliant humans to drown.

Meanwhile, Mr. X and his two henchmen were on their way to intercept an armored vehicle carrying three million dollars in cash. The plan? Using dynamite, blow up a wooden bridge just before the armored car was about to cross it. And, of course, Sergeant O’Hara was tied to the bridge no more than a foot away from the dynamite.

Superman effected a last second escape, rescued his “wife” and captured the villains (of course). He could have easily killed the three “bad guys” as their bullets ricocheted off his chest. (How come no one ever aimed at his head?) Instead, he spared their lives. Why? Following season one in which several villains were done away with, the producers of the series adopted a no-kill policy.

One of my favorite season one “kill” episodes involved Superman transporting two thugs to a Himalayan mountain top. Dressed only in their thug two piece suits, they were left to either freeze to death or slip and slide to their demise.

O’Hara was played by Joi Lansing, a well endowed movie actress. As soon as she appeared on the screen, I was in love. In addition to her role in Superman’s Wife, Lansing appeared as a guest actress in over fifty television shows from 1952 through 1970. Among the 50s shows were Racket Squad (her first), Gang Busters, I Led Three Lives, Adventures of Wild Bill Hickok, December Bride, Four Star Playhouse, The Gale Storm Show, Playhouse 90, Perry Mason, Sugarfoot, and The Jack Benny Show.

She also had roles in over thirty movies from 1948 to 1970. The only one I remember seeing was at a drive-in theater sometime in either the fall of 1958 or the spring of 1959, Queen of Outer Space, starring Zsa Zsa Gabor. Lansing played a minor role.

With today’s knowledge of Venus, the existence of any type of life on the planet would seem to be impossible. The average surface temperature is 864 degrees Fahrenheit, hot enough to melt lead, and its thick clouds are made of sulfuric acid. This was unknown in the 50s. There was a belief in some circles, especially among science fiction buffs, that its clouds were made of water as they are on Earth. Also, because of Venus’ closer proximity to the sun than Earth, it was thought that its climate might mirror that of the Earth’s equatorial regions. Therefore, life in an endless number of forms was deemed possible, especially in the world of science fiction.

The setting of Queen of Outer Space was Venus shortly after a space probe from the United States crash landed on the planet. The crew was captured by humanoid women in the service of the masked Queen Yllana, who had banished men from the planet. A small group of ladies of the court led by Talleah, who was played by Zsa Zsa Gabor, conspired with the captive crew to overthrow the evil queen. The motive? They were in need of the love of men. (That sounded quite rational to me and the two friends who were with me in the car.)

Ultimately, the captain of the spaceship managed to unmask the queen and discovered that her face had been grossly disfigured by radiation burns. The burns were the result of wars conducted by men. Driven to rage by her unmasking, Yllana attempted to destroy the Earth, but died in the process. The rest of the women of Venus were then blessed by the return of men. (That’s how the three of us viewed their return.)

At the time, I was unaware that Lansing was in the movie and somehow I didn’t recognize her. Even if I had, she was doomed during the intermission to be replaced as the motivating force of my fantasies. We were too busy eating and talking to pay much attention to the coming attractions until a vision of pure beauty, unlike any I had ever seen materialized on the screen — Sophia Loren.

Joi Lansing instantly became ancient history.